| EDUCATION: | | 1987 | M.F.A. San Francisco Art Institute, San Francisco | | 1984 | B.A. Fine Art, with Honors, Metropolitan State College, Denver |
| SOLO EXHIBITIONS: |
| 2011 | GALLERY PAULE ANGLIM, San Francisco, CA "Philanthropy" |
| 2008 | GALLERY PAULE ANGLIM, San Francisco, CA "Plain Sight" |
| 2007 | JOSEPH BELLOWS GALLERY, La Jolla, CA |
| SCHNEIDER GALLERY, Chicago, IL "Farm Sites and Other Works" | | 2005 | GALLERY PAULE ANGLIM, San Francisco, CA "Farm Sites and Other Works" |
| 2003 | GALLERY PAULE ANGLIM, San Francisco, CA "Dwell" |
| SCHNEIDER GALLERY, Chicago, IL | | 2000 | FRAENKEL GALLERY, San Francisco, CA | | | FAY GOLD GALLERY, Atlanta, GA | | 1999 | FAY GOLD GALLERY, Atlanta, GA | | | G. GIBSON GALLERY, Seattle WA "Once Removed" | | 1997 | FRAENKEL, San Francisco, CA "Saved" | | | PULLIAM DEFFENBAUGH GALLERY, Portland, OR "Paradise" | | 1996 | MARC FOXX GALLERY, Santa Monica, CA | | 1994 | FRAENKEL GALLERY, San Francisco, "Paradise" | | | PAUL KOPEIKIN GALLERY, Los Angeles, CA | | 1991 | INTERSECTION FOR THE ARTS, San Francisco, "My Darling Sweetheart" |
| SELECTED EXHIBITIONS: | | 2007 | MUSEUM of PHOTOGRAPHIC ARTS, San Diego CA,"Picturing Eden" (traveling) |
| JANE VOORHEES ZIMMERLI ART MUSEUM, New Brunswick, NJ, "A New Reality: Black-And-White Photography In Contemporary Art" | | 2006 | GEORGE EASTAMN HOUSE/INTERNATIOANL MUSEUM OF PHOTOGRAPHY, Rochester NY, "Picturing Eden" (traveling) | | PATRICIA FAURE GALLERY, Santa Monica CA, "Photographs" | | SONOMA VALLEY MUSEUM OF THE ARTS, Sonoma CA,"The Gray Area" |
| 2004 | PULLIAM DEFFENBAUGH, Portland OR, "Bay Area Bazaar" | | 2003 | CCA WATTIS INSTITUE, San Francisco CA, "The Gray Area" | | 2002 | WINSTON WACHTER FINE ARTS, New York, "Horses - A History in Art" | | | WALTER McBEAN GALLERY, San Francisco CA, "Lost and Found" | | 2001 | ART INSTITUTE OF CHICAGO, Chicago IL, "Object as Subject" | | | GALLERIA D'ART MODERNA BOLOGNA, "La natura della natura morta." | | | FRIENDS OF PHOTOGRAPHY, San Francisco, CA "Beyond Boundaries" | | 2000 | ART INSTITUTE OF CHICAGO, Chicago IL, "Crossing The Line" | | | THE CONTEMPORARY, Atlanta, GA, "Precious: the Pathos and Pleasure of Kitsch" | | | FRAENKEL GALLERY, San Francisco CA, "About Faces" | | | CAL STATE UNIVERSITY LONG BEACH, Long Beach, CA "Beyond Boundaries" | | | SANTA BARBARA CONTEMPORARY ARTS FORUM, Santa Barbara, CA "Beyond Boundaries" | | 1999 | FRAENKEL GALLERY, San Francisco, "20Twenty" | | 1998 | FRAENKEL GALLERY, San Francisco, "Dust Breeding" | | 1997 | CENTER FOR THE ARTS, San Francisco CA, "Bay Area Now" | | | JACKSON FINE ART, Atlanta GA, "Food, Glorious Food" | | 1996 | SCHIRN KUNSTHALLE, Frankfurt, "Prospect 96" | | | CENTER FOR PHOTOGRAPHIC ART, Carmel | | 1995 | JULIE SAUL GALLERY, New York, "Choices" | | | LEHMAN COLLEGE, Bronx, "Fact, Fiction and Truth" | | | UNIVERSITY ART MUSEUM , Berkeley, "In a Different Light" | | | FRIENDS OF PHOTOGRAPHY, San Francisco, "The Inscrutable Object" | | | BARRETT HOUSE GALLERIES, New York, "Photowork '95" | | | NORA ECCLES MUSEUM, Utah, "5th Biennial Photography Exhibition" | | 1993 | CLARK AND CO. GALLERY, Washington, DC, "True Phallacy-The Myth of Male Power" | | | EYE GALLERY, San Francisco, "Queerly Defined" | | | DIVERSE WORKS, Houston, "Without" | | 1992 | NEW LANGTON ARTS, San Francisco, "501,272" | | | THE LAB, San Francisco, "Without" | | | CASE GALLERY, Skidmore College, New York, "Insight: Out" | | | GRANT GALLERY, Denver | | | ZEN CENTER GUEST HOUSE, San Francisco, "Still Lives" | | 1991 | SAN FRANCISCO ARTS COMMISSION GALLERY, San Francisco, "Chain Reaction VII" | | | CALIFORNIA MUSEUM OF ART, Luther Burbank Center, "California Small Works" | | | OBUDAI GALERIA, Budapest, Hungary, "Fresh Squeezed" | | | SF CAMERAWORK, San Francisco, "Beyond Belief" | | | SOUTHERN EXPOSURE GALLERY at Project Artaud, San Francisco, "Viscera" | | | INTERSECTION FOR THE ARTS, San Francisco, "Photo Works" | | 1990 | ANDREA RUGGIERI GALLERY, Washington, DC., "The Great American Fax Attack" | | 1989 | INTERSECTION FOR THE ARTS, San Francisco, Tableaux Vivant | | 1988 | VORPAL GALLERY, San Francisco, "Environments" | | 1987 | FORT MASON, San Francisco, "Masters of Fine Arts Exhibition" | | 1986 | WALTER McBEAN GALLERY, San Francisco, "Spring Show," Award (Paul Tomidy) | | 1984 | SF CAMERAWORK, San Francisco, "Student show" | | 1983 | GRANT STREET ART CENTER, Denver, "Grant Street Invitational" |
| COLLECTIONS: | | METROPOLITAN MUSEUM OF ART, New York | | ART INSTITUTE OF CHICAGO |
| DENVER ART MUSEUM | | PHILADELPHIA MUSEUM OF ART |
| OAKLAND MUSEUM OF CALIFORNIA |
| MUSEUM OF FINE ARTS HOUSTON | | MUSEUM OF MODERN ART San Francisco | | LOS ANGELES COUNTY MUSEUM OF ART | | UNIVERSITY ART MUSEUM, Berkeley | | THE CONTEMPORARY MUSEUM, Honolulu | | | | | PROFESSIONAL AWARDS: | | 2005 | JOHN ANSON KITTREDGE FUND |
| 2003 | CALIFORNIA ARTS COUNCIL Grant | | 2001 | THE ART COUNCIL, Juror Award | | 1998 | AARON SISKIND FOUNDATION | | 1997 | PURCHASE AWARD PHILADELPHIA MUSEUM OF ART | | 1995 | CENTER FOR PHOTOGRAPHIC ARTS, Carmel CA, Merit Award | | 1986 | SPRING SHOW AWARD from Paul Tomidy, San Francisco Art Institute |
| SELECTED PUBLICATIONS: | | 1998 | ONCE REMOVED, Portraits by J. John Priola, Monograph, 74 plates, Arena Editions | | 1996 | SEVEN SEAS, Japan, June, back pages | | 1986 | SPRING SHOW AWARD from Paul Tomidy, San Francisco Art Institute | | | ZYZZYVA, Fall/Winter XII, 3/4 | | | GRAPHIS, photography review, New York | | 1995 | SEE, A Journal of Visual Culture, Winter, Issue 1:1, pages 18-23, and inside cover | | | THE NEW THEATER REVIEW, A Lincoln Center Publication, Fall, issue no. 14 | | 1994 | POLIESTER, "Sick", AIDS Abstracted, Alisa Tager, Summer, vol. 3 no. 9, p 8-19 |
| SELECTED BIBLIOGRAPHY: |
| 2008 | Datebook, Kenneth Baker, San Francisco Chronicle, September 20, p. E10 |
| 2007 | Art Review, Alan G. Artner, Chicago Tribune, March 23, section 7, p.20 |
| | Art Exhibits Photography
Newcity Chicago, March |
| | Art Review, Robert L. Pincus, Union-Tribune, April 5 |
| 2003 | Art Review, Alan G. Artner, Chicago Tribune, January 17, section 7, p.27 | | | Critics Choice, Fred Camper, Chicago Reader, January 31, section 2, p. 19 | | 2000 | Datebook, Kenneth Baker, San Francisco Chronicle, June 3, p D1, D8 | | 1999 | Alanta, Jason Forest, Art Papers Magazine, September / October, page 41 | | 1998 | Superb Viewing, David Bonetti, San Francisco Examiner, September 23, page C-19 | | 1997 | Datebook, Kenneth Baker, San Francisco Chronicle, March 15, p E1 | | | Speak, Memory, Steven Jenkins, Bay Area Reporter, Vol. 27. No 11, March 13 p. 41 | | 1996 | Snapshots of LA Photography Market, ART Newsletter Vol. XXI. No 24, p. 6 | | 1995 | Portraits That Use Absence, William Zimmer, The New York Times, October 22, p 16 | | | Contemplating Queer Art, Roberto Freidman, Artweek, August, Vol. 26 # 8, p. 21 | | | In A Different Light review, Michael Duncan, Art In America, July, pages 27-30 | | 1994 | New Meanings, Susan Kandel, Los Angeles Times, May 26, page F12 | | | San Francisco Fax, Rebecca Solnit, Art Issues, September-October | | | A New Round, David Bonetti,San Francisco Examiner, July 15, page C-19 | | | Introductions, Steven Jenkins, Artweek, August 4, page 15 | | | Thrill of the New, Roberto Friedman, Bay Area Reporter, July 14, page 33 and 34 | | | Introductions, Trine Miller, Arts Monthly, July, Volume 5 #4, page 5 | | 1993 | Behind The Fig Leaf, Paul Richard, The Washington Post, December 4, page E-1 | | | A Look at Self-definition, David Bonetti, San Francisco Examiner, June 25, p C-9, C-10 | | | Domestic Grist, Warren Sonbert, San Francisco Sentinel, June 30, pages 38 and 39 | | | Display's...Demand a Closer Look, Nancy Kapitanoff, LA Times-Calendar, January 3 | | 1992 | Leaving the "white cube", David Bonetti, San Francisco Examiner, November 20, p D-2 | | | 501,272 and Counting, Elliot Linwood, Bay Area Reporter, Vol. xxii, No 43 22, p 34, 44 | | 1991 | This Week, photo-caption, Bay Area Reporter, Vol. XXI No. 27, July 11, page 40 | | | Critics Choice, Harry Roche, San Francisco Bay Guardian, Vol. 25 # 38, June 26, p 80 | | | Severed Heads, Slavery, Exposed Flesh, Glen Hefland, San Francisco's Magazine, The City, February, Vol. 2, No. 2, pages 21-22 | | 1988 | The Changing Ideal, Deborah Irmas, SF Camerawork, Vol. 15 No. 1, Spring, p 7-11 | | | Environments, David Shaw, San Francisco Bay Guardian, Vol. 22, # 26, April 13, p 28 |
| VISITING ARTIST / LECTURE: | | 2002 | SAN FRANCISCO ART INSTITUTE, adjunct faculty | | 2000 | CONTEMPORARY ART CENTER, Atlanta GA, Panel discussion in conjunction with Exhibition "Precious: The Pathos and Pleasures of Kitsch" | | | CALIFORNIA COLLEGE OF ARTS AND CRAFTS, Lecture series, adjunct faculty | | 1999 | CALIFORNIA COLLEGE OF ARTS AND CRAFTS, Lecture series, adjunct faculty | | | SAN FRANCISCO ART INSTITUTE, adjunct faculty | | | SF CAMERAWORK, San Francisco, Lecture program | | 1997 | SAN FRANCISCO ART INSTITUTE, adjunct faculty | | 1996 | CALIFORNIA COLLEGE OF ARTS AND CRAFTS, Lecture series | | 1995 | PRIOLA / WAGNER STUDIO TOUR, Friends of The Friends of Photography | | 1994 | UNIVERSITY of CALIFORNIA, BERKELEY, Noon lecture series | | | SF CAMERAWORK, San Francisco | | 1991 | METROPOLITAN STATE COLLEGE, Denver | | | | | | | | {back to top} | |